"We were playing with this idea of blurriness and ambiguity," Alexander Wang said of his Pre-Fall 2013 collection. "I love the idea of intertwining and not knowing where a dress ends and a jacket begins."
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To achieve those kinds of shapes, Wang created dresses with attached scarves that wrapped around the wearers' necks. Elsewhere, some of the collars in contrasting fabrics like leather or wool that poked out from underneath the collection's jackets turned out not to be separate layers, but cleverly sewn elements of the same piece.
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The theme of blurriness got down to the material level, too: Wang chose nubbly Donegal tweed and jacquard for the otherwise pin-sharp suits in this mostly black, white, and gray offering. He also printed silk to look like tweed — further obscuring the line between what the wearer sees and what's actually there.
Posts for December 10th 2012
Sweet Carolyn: Murphy Shines on the Cover of Vogue Australia
Winter may be settling in across the United States, but Summer's just starting to heat up in the land down under — thanks in part to Carolyn Murphy's January cover of Vogue Australia.
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Regan Cameron photographed the blond bombshell for the cover and an editorial in the magazine called "Sweet Carolyn." Vogue Australia's editor in chief said picking Murphy for the cover was a no-brainer. "She's so picture perfect that she's often cast as a mannequin," McCann said, "but as a laid-back keen surfer, she's equally at ease in these luxe, hippie looks."
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Elsewhere in the issue, there are interviews with Jennifer Lopez and Lady Gaga and an essay by Erin Brockovich. For now, a look at the cover and a few images from Murphy's shoot here in the gallery.
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Photos courtesy of Vogue Australia.
Alexa Chung's Stylish Set, NewGen's New Winners, and Comme des Garcon's Chic Download

These stories and more in our daily news roundup.
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Who Else Supports Alexander Wang's New Job at Balenciaga?

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Tongues are still wagging about Alexander Wang's appointment as the creative director at Balenciaga: Anna Wintour, Diane von Furstenberg, and some other powerful industry players have now chimed in on his new job.
Eric Wilson talked with Wintour, von Furstenberg, and a number of other people who have observed Wang's work since his career started. Like Karl Lagerfeld and much of the Twittersphere, many of the people Wilson interviewed wholeheartedly support Wang's move. Below, the rest of the industry reacts to Wang's big news.
Anna Wintour on whether Wang's age is a problem: "Oh, please, come on. How great is it to be young? That is when designers are at their most fearless. That is when you do your most creative work."
Wintour, again, on Wang winning the CFDA/Vogue Fashion Fund: "He was so articulate. He said he wants to dress the girls of his age and his generation. That's what you see in everything he does. He lives and breathes the Alex brand."
PPR chief Francois-Henri Pinault, who is similarly unconcerned about Wang's age: When he started at Balenciaga, Ghesquière "was designing uniforms for Air France, and who would have said that Nicolas would become such a great talent?"
Isabelle Guichot, CEO of Balenciaga: "We're not asking him to be an entrepreneur. But luxury fashion is a business with some rules, and he understood that very early in his career, without ever compromising the creativity."
Robert Burke, industry consultant: "There were some feelings after what happened with John Galliano at Dior that the brands were promoting the individual designers too much. Now they're thinking, what is it going to take to keep a brand relevant and alive?"
Diane von Furstenberg on whether Wang is ready for the new job: "It was a coup for Alex, and a coup for American fashion," she said, adding, "he's going to need some mentoring in Paris."
And one designer who chose to remain unnamed, on Wang and other designers like him: "They're not fashion designers. They're fashion curators. They're sitting at a computer copying other peoples' ideas."
Photo: Wintour and Wang in 2010.

